“We are living in a blizzard of lies”

There are few with Mark Steyn’s unique ability to make the incomprehensible clear: A Hinge Moment of History. You need to read it all, but here are a few bits to start you off.

  • [W]e are more dependent on a handful of woke billionaires to tell us what reality is. They are far more open than ever that they get to determine what are the agreed facts. Google made an explicit announcement about this recently. They said that sometimes they would put warnings on things that are factually accurate because, even though they are true, they do not think it is in society’s interest for people to be seeing it.

  • [N]ow you will be banned or deleted or blocked or silenced simply for disagreeing with the official version of events. For example, the Great Barrington declaration, which was written by three of the most prominent epidemiologists in the world from Harvard, Oxford, and I think it was Stanford. That was basically deleted from YouTube, banned from Facebook, simply because it contradicted the WHO, CDC official version of events.

  • It is just groupthink enforced by a cabal of woke billionaires, who have more power than anyone else on the planet.

They wouldn’t have the power they do if they did not conform to the views of the major political leaders of the moment. As you read this, bear in mind that Joe Biden and his son have been made wealthy by the Chinese.

  • Right now, we are witnessing a non‑stop continuous transfer of power to a country that is serious about using that power. This is China’s moment. Take it as someone who grew up, in large part, in a great power in decline. There’s no real explicit handover day. People, in hindsight, expect to pinpoint the day that the baton was passed…. My great worry is that actually, the transfer to China has already happened. The baton has already been passed. We just haven’t formally acknowledged that yet.

Plus much else. 

A black day in Melbourne’s history

In 2014 we elect a premier whose most saleable campaign promise is that he will eliminate rail crossings at major intersections. And then, by chance, he is still premier when Covid becomes a worldwide pandemic and he’s in charge of the Victorian response. So this is where we are now at.

Looks more like a rugby crowd than Aussie Rules.

FDA livestream of an open virtual meeting

This was an FDA livestream of an open virtual meeting their own officials and medical professionals, along with multiple other outside parties, from yesterday. This is a US Government-sponsored meeting:

“Herd immunity using the vaccine is impossible.” 4:15:00ff

“The vaccine caused 71x more heart attacks in the vaccinated than any other vaccine.” 4:20:00ff

“…vaccines, boosters, and mandates are all nonsensical.” 4:21:00

“We killed two people to save one life.” 4:21:30

“[The number of deaths per million doses administered – 411:11

M] translates into about 150,000 people have died (from receiving the vaccine in just the U.S.).” 4:21:50ff

“The real numbers confirm that we kill more than we save.” 4:22:00ff

“In the most optimistic study (for 90-year-olds) it means 50% of the vaccinated died, and 0% of the unvaccinated died.” 4:22: 20

Read and watch TWT.

Direct YouTube link. Go to indicated timestamps. (It was an all-day 8-hour live virtual meeting.)

Judgment call in art

Here’s a fascinating story: Michelangelo’s Last Judgment—uncensored.

Some of the more controversial nudity in Michelangelo’s Last Judgment was painted over the year after the artist’s death. Those additions were left intact when the Last Judgment was restored in the 1990s, but thanks to a farsighted cardinal we can see what the fresco looked like before it was censored.

Left: Michelangelo Buonarroti | Last Judgment | 1534-41 | Sistine Chapel, Vatican. Right: Marcello Venusti | Last Judgment | Museo e gallerie nazionali di Capodimonte | Images and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com | (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Left: Michelangelo Buonarroti | Last Judgment | 1534-41 | Sistine Chapel, Vatican. Right: Marcello Venusti | Last Judgment | Museo e gallerie nazionali di Capodimonte | Images and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com | (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

The Last Judgment was commissioned for the Sistine Chapel by Pope Clement VII just a few days before his death. Michelangelo hadn’t even finished the fresco before controversy erupted over its unclothed figures.

Not long after the painting’s completion, the Council of Trent condemned nudity in religious art, decreeing that “all lasciviousness be avoided; in such wise that figures shall not be painted or adorned with a beauty exciting to lust.” Clement’s successor Pope Pius IV complied with the tenet, and in 1565, the year after Michelangelo’s death, had the more controversial nudity painted over by Daniele da Volterra, earning the artist the nickname Il Braghetonne, “the breeches-maker.” Da Volterra also substantially repainted the figures of Saint Catherine and Saint Blaise, whose positions were considered unseemly. Further coverings were added in the 17th and 18th centuries.

Michelangelo Buonarroti | Last Judgment | 1534-41 | Sistine Chapel, Vatican | photographed before the 1990-1994 restoration | Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com | (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Michelangelo Buonarroti | Last Judgment | 1534-41 | Sistine Chapel, Vatican | photographed before the 1990-1994 restoration | Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com | (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

When the Last Judgment was restored between 1980 and 1994, many expected the work to be returned to its original state before the censorship. But some historians had suggested that da Volterra had scraped away the offending parts and painted on top of freshly-applied plaster–which meant that there was nothing left underneath to restore–so his additions were retained.

Thankfully, the art-loving Cardinal Alessandro Farnese, afraid that the original was going to be destroyed, had commissioned Marcello Venusti to paint a copy of Michelangelo’s Last Judgment in 1549. This tempera painting on wood is now our only guide to what Michelangelo’s work looked like before it was censored.

Marcello Venusti | Last Judgment | Museo e gallerie nazionali di Capodimonte | Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com | (c) 2006, SCALA, Florence//ART RESOURCE, N.Y.

Marcello Venusti | Last Judgment | Museo e gallerie nazionali di Capodimonte | Image and original data provided by SCALA, Florence/ART RESOURCE, N.Y.; artres.com | (c) 2006, SCALA, Florence/ART RESOURCE, N.Y.

Compare Marcello Venusti‘s copy with the pre-restoration Last Judgment in the Artstor Digital Library to see the extent of the changes that were made to the painting. Bonus: Check out the freer interpretation of the Last Judgment by the circle of Giulio Clovio.

Ivermectin pro and con

With the emphasis on the the word con in all its various meanings: New restrictions on prescribing ivermectin for COVID-19. Dated September 10, 2021.

Today, the TGA, acting on the advice of the Advisory Committee for Medicines Scheduling, has placed new restrictions on the prescribing of oral ivermectin. General practitioners are now only able to prescribe ivermectin for TGA-approved conditions (indications) – scabies and certain parasitic infections. Certain specialists including infectious disease physicians, dermatologists, gastroenterologists and hepatologists (liver disease specialists) will be permitted to prescribe ivermectin for other unapproved indications if they believe it is appropriate for a particular patient.

There is then this one might consider: From Glasgow protesters gather for ‘right to try’ different treatments.

Tonya Adams says she was treated by Dr. Turner using ivermectin and claims the treatment saved her life.

“I almost didn’t make it. He prescribed me the ivermectin–without the regimen he gave me I wouldn’t be here today,” said Adams.

Bureaucrats are people with no skin in any game they oversee. That has got to change.

Is China really threatening to attack Australia with nuclear weapons?


What is one to make of this? Furious China issues bone-chilling warning subs deal could ‘make Australia a potential target for a NUCLEAR strike’.

Chinese state media has warned Australia will become a ‘potential target for a nuclear strike’ after it acquires nuclear-powered submarines.

As part of a new three-way alliance with the UK and US, Australia will be given the technology to build at least eight nuclear-powered – but not nuclear armed – submarines as the West counters China’s growing assertiveness in the Indo-Pacific region.

Chinese Foreign Ministry spokesman Zhao Lijian said the ‘AUKUS’ alliance ‘seriously damages regional peace and stability, intensifies the arms race, and undermines the Treaty on the Non-Proliferation of Nuclear Weapons.’

There is also this to bear in mind.

China is believed to have between 250 and 350 nuclear weapons, compared to American’s arsenal of 5,800 and Russia’s total of 6,375.

In July satellite photos emerged which appeared to show China building a huge missile silo base in the desert town of Hami, northern Xinjiang province.

Researchers believe the site could expand to 110 silos, which can be filled an intercontinental ballistic missiles armed with nuclear warheads.

Nuclear-POWERED submarines are not a nuclear threat to anyone. They are entirely defensive and can never be anything else. But threatening to aim nuclear weapons at Australia is not the actions of a peaceful neighbour under any circumstances whatsoever.

They don’t make Disney films like they used to

Just spent an evening seeing what I could see of Frozen on Youtube, and every one of the cuts I watched made me laugh. So I went to look at what I could find of my own first movie, which was also Walt Disney, and it was Fantasia.

Say I’m around five years old, and it’s in a cinema. And I remember my mother saying to me years later that when we got towards the end, I wanted to go home. So I have just played the final section, and having watched it, I am less surprised that I wanted to leave than that I ever went back. This is not light and amusing. It is fearsome and frightening. Comes in two parts so it lasts around nine minutes. And do I remember this? Do I ever! The aim, I suppose, was to introduce us little children to classical music, but perhaps other things as well.


Would you show your children any of this? What I have always remembered about the movie and loved the memory of was the part with the dinosaurs.

Would you show your children this one either? I’m not even sure I should show this to them even now and they have children of their own, who I would also never want them to see these as well.

Better to watch Frozen for all its political correctness, as I discussed in the previous post.

“No right, no wrong, no rules for me. I’m free”

My grand-daughter, Age 5, just sang me this.

I’m no expert on modern music and this definitely does not strike me as brilliantly tuneful, but then again, I grew up with Dylan (but also Peter, Paul and Mary). The lyrics I can, however, follow easily enough.

The snow glows white
On the mountain tonight
Not a footprint to be seen
A kingdom of isolation
And it looks like I’m the Queen

The wind is howling
Like this swirling storm inside
Couldn’t keep it in
Heaven knows I tried…

Don’t let them in
Don’t let them see
Be the good girl you always have to be
Conceal
Don’t feel
Don’t let them know…
Well, now they know!

Let it go, let it go
Can’t hold it back anymore
Let it go, let it go
Turn away and slam the door!
I don’t care what they’re going to say
Let the storm rage on
The cold never bothered me anyway

It’s funny how some distance
Makes everything seem small
And the fears that once controlled me
Can’t get to me at all!

It’s time to see
What I can do
To test the limits and break through
No right, no wrong
No rules for me
I’m free!

Let it go! Let it go!
I am one with the wind and sky!
Let it go! Let it go!
You’ll never see me cry!
Here I stand and here I’ll stay
Let the storm rage on…

My power flurries through the air into the ground
My soul is spiraling in frozen fractals all around
And one thought crystallizes like an icy blast
I’m never going back
The past is in the past!

Let it go! Let it go!
And I’ll rise like the break of dawn!
Let it go! Let it go!
That perfect girl is gone!

Here I stand in the light of day…
Let the storm rage on!!!
The cold never bothered me anyway

But I don’t hear what a five-year old girl can hear. So I have now gone looking on the net and found this: What Is the Meaning of Frozen’s “Let It Go”? And bear in mind I haven’t seen the film.

Outside of the context of the story, the lyrics could be applied to anything, which is extremely dangerous. Historically speaking, rejection of established norms, relativism, and finding liberation in these things were key elements of Nazism, as Dr. Modris Eksteins explains in his book Rites of Spring: The Great War and the Birth of the Modern Age. Indeed, anti-establishment attitudes and belief in relativism were also key to the beliefs of Lenin, Trotsky, and Stalin, according to Paul Johnson in his book Modern Times: The World From the Twenties to the Nineties.

This is not to say that the song advocates these beliefs. It does not. However, when removed from the confines of the story, the song can easily become an anthem in favor of these destructive philosophies, though it was not intended to be one.

That’s not what’s in the mind of five-year-olds. But there is some sort of hidden rebellion that is clearly implied. And then this came from an answer on Quora:

It’s okay to be yourself, even when the world won’t accept you. In fact, it’s paramount, because if you repress yourself (conceal… don’t feel) you’ll explode, and end up making life much harder for yourself and for everybody else. You won’t be able to control your emotions or behavior until you accept who you are, and are comfortable with it. You shouldn’t have to fit yourself into a box of what is “perfect” or socially acceptable, because you’re never going to be perfect. It’s also okay to remove yourself from everyone else if you need to (though eventually you do have to reintegrate into society).

Maybe this doesn’t mean all that much any more:

2,600,212,202 views 
 
Nevertheless, this has reached into an awful lot of heads, and the lyrics have obviously resonated. But we’ll only know in around a decade or more what if anything this has meant assuming it has meant anything at all. 
 

Canada-Russia Moscow 1972

I game I have never seen before since I was hitchhiking in Europe when it was played, and we arrived in Paris not knowing the score. So we bought a copy of Le Monde where there was a story that filled two columns with everything in it describing the atmosphere at the game and the history of Canada-Russia hockey but with no actual score. But there at the end, there was a two-line para that I could barely decipher as saying that Canada had won the game.

I moved to Australia in 1975 so that the Canadian team has all the players I remember. I wouldn’t know a single player on a single team in the NHL, or even on the Leafs, but here I know everyone, including the announcer who was Foster Hewitt, who broadcast the Leaf games for my entire youth.

And of course, it was that last minute of the game where Paul Henderson – a Maple Leaf – scored the goal that has remained undoubtedly the single most thrilling goal in the history of Canadian hockey. Even as I watched it, and for me it was for the first time, I felt the tension, even though I know how it ended. Who could ever forget?

Might add, that my children are ethnic children, both played hockey (not ice hockey, but hockey unlike grass hockey which is a non-existent nothing to me). I also was at the game when Toronto last won the Stanley Cup. Alas, the Leafs are the worst sports franchise in North America and are unlikely to win The Cup anytime in my own lifetime.

Will just finish by saying that I had the enormous pleasure of playing hockey with my sons when we lived in Canberra. These are the memories that really matter, even more than who won between the Russians and the Canadians back in 1972.