Ray Charles in Israel. The final two paras:
By the late 1970s, though, many people on the left—including activists in African American communities—would begin to challenge the assertion that the two liberation movements of historically oppressed, despised, and ghettoized people should continue working together, or see their collective struggles as in any way equivalent.
Ray Charles never bought it. In 1982, a decade after his first visit, he returned to give a series of sold-out performances. And in 1987, on his last visit, he performed in the former Roman amphitheater at Caesarea. The Israeli jazz saxophonist Nadav Haber was at that performance. He told a Haaretz reporter that even in that large performance space, Charles managed to create a feeling of intimacy. “Ray,” Haber said, “is the kind of artist who takes you in a kind of trance; you leave altered. Many people in the amphitheater came to relax and enjoy themselves. I came to be with Ray, and that is what actually happened.”