Pete Seeger would have been 100 on May 3rd

I have no love of communism but as my father was one himself, I make distinctions between those who turned towards the Soviet Union in the 1930s on the one hand and Lenin and Stalin on the other. It was an evil but within it all there is a softness I have always felt towards Pete Seeger, whom I first heard perform at my summer camp in 1955 because he was at the time unable to perform anywhere else in North America. And from that moment, I loved his voice, his music and the banjo, which I still play, sort of. And I have also given my grandchildren a banjo of their own so that when they turn 100 and are asked where did you get that banjo, they can say it was given to them by their grandfather on the day they were born.

This post is dated May 3, 2019: Happy Birthday, Pete Seeger.

Pete provided much of the soundtrack for the political awakening of several generations of activists. The songs he wrote, including the antiwar tunes, “Where Have All the Flowers Gone?” “If I Had a Hammer” and “Turn, Turn, Turn,” and those he has popularized, including “This Land Is Your Land” and “We Shall Overcome,” have been recorded by hundreds of artists in many languages and have become global anthems for people fighting for freedom. He introduced Americans to songs from other cultures, like “Wimoweh” (“The Lion Sleeps Tonight”) from South Africa, “Tzena, Tzena” from Israel (which reached number two on the pop charts), and “Guantanamera” from Cuba, inspiring what is now called “world music.”

Thanks to Seeger’s influence, protest songs — via folk, rock, blues, and soul genres — became popular and even commercially successful. He recorded over eighty albums — of children’s songs, labor, civil rights, and antiwar songs, traditional American folk songs, international songs, and Christmas songs. Among performers around the globe, Seeger became a symbol of a principled artist deeply engaged in the world.

Even if I do not in any way share his politics, I love his music which has deep deep meaning to me. What more is there to say than that? Well, perhaps there is this: the vile idiots on whose website this post was found are themselves a menace and evil to the core. If you are looking for a fight, it is these people you should take on and not the memory of one of the greatest folk singers who has ever lived. It would be as idiotic as refusing to play God Bless America sung by Kate Smith because of something she had said or done back in the 1930s.

Mitchell Podolak – Doctor of Laws

Mitch-Podolak

Not bad for a Grade IX dropout – a true Woody Guthrie, the most adventurous soul I ever knew. My mate from the days of nursery school, Mitchell Podolak, is about to receive an honorary doctorate from Brandon University in Manitoba. The citation reads:

Mitch Podolak is a prominent fixture in the North America folk music world and is the creator and past founding artistic director of the Winnipeg Folk Festival, the Vancouver Folk Music Festival, Winnipeg’s West End Cultural Centre, The Winnipeg International Children’s Festival and Home Routes/Chemin Nous, North America’s only house concert network. He is also the co-creator, founding artistic director and team mentor that founded the Stan Rogers Folk Festival in Canso, Nova Scotia. Since 1974, Mr. Podolak has developed and led in the evolution of folk festival culture across Canada, and his efforts have seen hundreds of thousands of folk music fans come together in a common cultural cause. His methodological approach to structuring and motivating a volunteer corps in the art of running a festival has become the Canadian standard. His work is motivated by a love of folk music, of which his knowledge is extraordinary, and by a social view paralleling that of Pete Seeger and Woody Guthrie, Mr. Podolak’s strongest influences. In 2014, he received the Unsung Hero Award, the peer-driven lifetime achievement award of the Canadian Folk Music Awards. Mr. Podolak has had huge influence on the provincial and national cultural funding institutions that now all support folk music. Brandon University is recognizing his work with an honorary doctorate.

“I am pleased to recognize Lisa de Wilde and Mitch Podolak for their contributions to arts and culture as well as the creative industries on the national and international stage,” said Dr. Gervan Fearon, BU President and Vice-Chancellor. “Both have used their talent, leadership, and commitment to excellence to showcase the music, films and ideas of others. They inspire us all to find opportunities to strive for excellence in our own endeavours and to find opportunities to contribute to the success of others on whichever stage we perform.”

The conferring of an honorary Doctor of Laws (honoris causa) at Brandon University bestows honour upon a deserving candidate who has made an outstanding contribution in one or more designated categories including the University, society, professional life, public service and the advancement of knowledge. Nominations are received from both the Brandon University and greater Westman communities.

No award has ever been more deserved. And it may truly be said for us both, aside from learning to play the banjo, all we really needed to know we learned in nursery school.

As for the banjo [and do note it is long-necked, five-stringed and wood-framed, just like mine], I might mention our days at Camp where in 1955, two musicians came to visit, one who played the concertina and the other, none other than Pete Seeger himself, who came and played the banjo [which was, and by no coincidence, long-necked, five-stringed and wood-framed]. I remember virtually nothing else from my camping days – this is, after all, sixty years ago – but I do remember this concert. The result has been that the only two instruments I own and play are the concertina and banjo. So whatever may have separated us in life, whether time, distance or politics, we share a love of folk music that transcends all else.

We’ve heard your views on Peter Seeger. Now tell me about Joe McCarthy

I have to say that reading the various comments on the death of one of the greatest folk musicians in history made me very cross. There are enough dimwitted entertainers around if you are looking for an outlet for righteous indignation. Meryl Steep or Sean Penn or our own Caite are standard issue cookie cutter lefties, who no doubt would give you chapter and verse on the excellent health system found in Cuba and who would happily wear a Che t-shirt without thinking twice. Pete Seeger was a man of the left but so far as I know, never ran a gulag, wasn’t head of the KGB or provided state secrets to the Soviet Union. And in its own way, I admire this, which is a statement he made to the House UnAmerican Activities Committee in 1955, not exceptionally brave by then but brave enough. He might well have gone to jail for a year to defend his right to free speech.

I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known. I love my country very dearly, and I greatly resent this implication that some of the places that I have sung and some of the people that I have known, and some of my opinions, whether they are religious or philosophical, or I might be a vegetarian, make me any less of an American. I will tell you about my songs, but I am not interested in telling you who wrote them, and I will tell you about my songs, and I am not interested in who listened to them.

Stalin is, however, dead and has been since 1953. Great to see that people are such strong anti-Stalinists more than sixty years after he died but to tell the truth, that cuts little ice. So try this on. What’s your personal opinion of the greatest anti-Communist of the times when Stalin actually was alive and plotting. Tell me your thoughts on Joe McCarthy. Tell me that you think that he was one of the most admirable men who has ever lived, a man who took the immense abuse that eventually killed him but whose accusations have been confirmed with almost 100% accuracy given what has come out of the KGB archive and the Venona Papers. Doesn’t take much to stand against Stalin today.

Pete Seeger

I own only two instruments, one is a banjo and the other a concertina. The reason I own them is because when I was very young, in the mid-1950s, I was sent to a summer camp for the children of comrades in the movement. And because of the blacklist, there were limited opportunities for people with a communist history, so two musicians came up to this southern Ontario campsite to entertain the children, one who played the concertina whose name I no longer remember; the other was Pete Seeger. Not many definitive moments in a child’s life that are remembered more than half a century later, but that concert was one. And so, very badly, I play the banjo, and it was from Pete Seeger’s instructional manual I learned.

I had one other Pete Seeger moment. I was staying with my aunt in Fishkill, NY, sometime during the 1960s, and she mentioned that Pete Seeger was in their local phone book, living in a place called Dutch’s Junction. So I phoned over to invite him to tea and goodness gracious, he answered the phone himself and it was Pete Seeger who has the most distinctive voice in all of folk music on the other end. He thanked me for the offer but didn’t come round but an indelible memory.

Growing up, every single one of my parents’ friends was in the movement. All were Stalinists, my parents included, which is hard to reconcile about people I loved as much as I did. And they taught me a lot, gave me my interest in politics but, as I see it, fortunately taught me enough to break with every political tradition they held dear.

Life is complex. Pete Seeger has died at 94 and I mourn his passing into the great beyond.