Global warming meets Godzilla – global warming wins

The belief that AGW can be rolled back by evidence is a quaint enlightenment notion that has had about as much evidence as global warming. Apparently, the new Godzilla film is drenched in AGW and anti-nuclear sentiments as well. The title of the review explains the rest: Suspend your reality for Godzilla: It’s an anti-global-warming alarmism smash.

The film opens at a huge quarry, where humanity’s insatiable thirst for fossil fuels (or diamonds or platinum or something) has uncovered a terrifying secret: a pair of radioactive MUTOs (Massive Unidentified Terrestrial Organisms). The point here, nominally, is that man brings about his own destruction by despoiling the planet. However, it’s worth noting that the one of the MUTOs immediately attacks a nuclear power plant, while the other, later, attacks a repository of nuclear waste. In this, the MUTOs feel like close cousins of the worst of the greens, those folks who demand action on climate change yet mindlessly attack nuclear power—the sole technology that could allow us to maintain our standard of living while reducing carbon emissions.

As the film progresses, the intellectual center of the picture is revealed to be Dr. Ichiro Serizawa (Ken Watanabe), who takes an almost zen-like approach to the MUTOs. He believes that Godzilla, who he has been searching for his entire adult life, is not a threat to humanity but a part of Earth’s natural biosphere. The giant lizard exists to “restore balance.” Serizawa also laments the “arrogance of man” for thinking he can control nature; the good doctor believes that the only way to stop the rampaging MUTOs is to let Godzilla fight them and kill them, to let nature run its course. The leaders of men disagree, opting to try and gather all three of the giant creatures into the same area off America’s west coast, where they will be destroyed by a thermonuclear warhead. This plan backfires, leading to a nuke threatening the lives of hundreds of thousands of San Franciscans.

Etc, etc etc. Anyway, great cinematography. And since it’s only a movie, what possible influence could it have?

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